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You always see these guys standing around bullshitting, there’s nobody coming in. And in my head, in the script, it was a car dealership. TH: I grew up in a car dealership because my dad ran one. These little dingy locations are fun and they help give this nice patina to the look and vibe of the story. So we love keeping things grounded in that reality. How many pianos do you sell everyday? Who comes in to buy a piano? Tim HeideckerĮW: We love local shops and we love the idea of desperate working men, and dads having to do stuff for their families. What have you got against piano shops?Ī piano store is so grim. In Bedtime Stories, you stage these comic-horror scenarios in really mundane places. We were like, ‘Oh shit, that’s more than just our friends’. Tom Goes to the Mayor played for a couple hundred people and they were laughing really hard. The moment where it felt like we could so something bigger was when we were in the Philadelphia film festival. We called ourselves and put our little videos on our website before there was YouTube. We’ve always been major self-promoters, even as a joke. And as any 18-year-old goes to college we quickly realized, there’s no way. Our stuff was nothing to write home about either.ĮW: We both loved comedy, but we also loved serious, dramatic things as well. But everyone’s work was just awful and hard to watch. TH: We thought we were going to be serious filmmakers. Did you have ambitions to become the next Bertolucci? And there were about four of us that looked a little different and had more of a rock‘n’roll, hippie vibe. When did you first realize you shared a similarly offbeat sense of humor?ĮW: We met in the dorm and our floor was mostly basketball players, a lot of big guys. TH: If someone opens their mouth I start screaming at them. They’re also scared of us, so there’s no heckling. They’re like, “I started watching you when I was 12 and I’m 22 now.” We don’t have to educate them about what we think is funny. But now we’re doing this for kids who were raised on our comedy. You were doing what you thought was funny and sometimes people would look at you like you’re an idiot. TH: When we would first tour and do festivals, it was hard. Are people still shocked by your live routines? Your comedy is what you could comfortably describe as “out there”.
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That’s exciting for us after slaving away at TV for so many years. But our show is a train-wreck of a live experience. When we make Bedtime Stories it’s months of preparation. There’s no editing and, immediately, you have a finished product. What’s it like to get back out in front of crowds rather than doing Bedtime Stories?ĮW: We’re both musicians, so it’s kind of going back to our roots. Steve Brule!” They wrote, directed and star in “Billion Dollar Movie,” playing characters named - big creative leap here - Tim and Eric.You’ve been on tour most of the summer. The titular Tim and Eric in “Billion Dollar Movie” are multi-hyphenates Tim Heidecker and Eric Wareheim, the comedy duo behind the Cartoon Network’s Adult Swim cult series, “Tim and Eric Awesome Show, Good Job!” and its successor, “Check It Out! With Dr. The list could go on, but you get the idea. Extended scene of defecation filled with gaseous sound effects? Peeing scene? Drug taking scene? Romp with sex toys? Check to all of ‘em. But for those on its wavelength - I’m guessing mostly men, mostly younger - it hits all of their requisite stations of the comedy cross.
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The film, already available free on cable and opening theatrically on Friday, is going to appeal to a very limited audience.
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“Tim and Eric’s Billion Dollar Movie” is full of it. Not that there’s anything wrong with scatological humor. LOS ANGELES () - What’s funny to one person is just a prolonged poop joke to another person.
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